Black Sabbath (1963)
Three tales of terror: a threatening phone call; an ancient evil; and a ghostly morality tale.
Black Sunday (1960)
A witch plots to return as a vampire after 200 years in her tomb and possess the body of the princess who shares her appearance.
Blood And Black Lace (1964)
Six models are stalked by a psychopath.
Danger: Diabolik (1968)
An audacious, costumed thief seeks out new challenges despite knowing the authorities are out to capture him.
Five Dolls For An August Moon (1970)
A wealthy industrialist gathers his friends on a remote island for a party, but they soon realise that there's a killer on the lose.
The Girl Who Knew Too Much (1963)
A young women who loves crime novels thinks she may have uncovered a real life murder mystery.
Planet Of The Vampires (1965)
The crews of twin spaceships find themselves in trouble on an alien world where their dead colleagues mysteriously return to life.
The Whip And The Body (1965)
The ghost of a sadistic nobleman attempts to rekindle his romance with his terrorised, masochistic former lover, who is unwillingly engaged to his brother.
News

Expanding the possible Fernanda Salgado on fantasy, reality, Jan Švankmajer and Ana, En Passant

A burning thing Sneha Mehta and Teddy Stern on falling in love with Mumbai, and making Getar Hero

Nothing is impossible Paul Rowley on moving to New York, the Pulse massacre, and Gays Against Guns

‘The only thing that makes a story universal is emotions’ Warsaw’s Industry panel discuss reaching audiences abroad

The only thing worth saying Chuko and Arie Esiri on adapting Mrs Dalloway and making Clarissa

European Film Academy shortlist announced 68 features vie for nomination

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It's a busy time for festivals and here's the latest:


London Winners announced


Tallinn Black Nights UK co-production joins Works In Progress


Warsaw What Belongs To Others takes top prize


Tallinn Baltic Competition, Rebels With A Cause and Critics' Picks titles announced


Dinard I See Buildings Fall Like Lightning named Best Film